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Culture:
Date:1828-1905; 1939-1975
Contributor:Albó, Xavier, 1934- | Lounsbury, Floyd Glenn | Zuidema, R. Tom, (Reiner Tom), 1927-2016 | Farfán, José M. B. | Cook, Wiliam H. | Fenton, William N., (William Nelson), 1908-2005 | Gillespie, John Douglas | Gillespie, John W. | Kurath, Gertrude Prokosch | Haas, Mary R. (Mary Rosamond), 1910-1996 | Kilpatrick, Jack Frederich | Walker, Willard | Long, Sarah | Johnson, Martin | Downing, Jess | Downing, Jess, Mrs. | Roberts, John | Drywater, Sam | Hummingbird, Isaac, Jr. | Hummingbird, Isaac, Sr. | Hummingbird, Jacob | Sam, Martin | Sourjohn, Levi | Sam, Watt | Gritts, Wesley | Sourjohn, Dutch | Grease, Tom | Terrapin, Molly | Blue Jacket
Subject:Linguistics | Religion | Education | Folklore | Kinship | Indian Removal, 1813-1903 | Dance | Ethnography | Oklahoma--History | North Carolina--History
Type:Text | Sound recording | Cartographic
Genre:Grammars | Hymns | Stories | Vocabularies | Lessons | Notebooks | Essays | Maps | Vocabularies | Songs
Description: The Cherokee materials in the Lounsbury Papers is found primarily in several sections of the collection. Series I contains correspondence with a number of people on Cherokee language and culture. These correspondents include Harry Basehart, William Cook, William Fenton, John D. Gillespie, Mary Haas, Jack Kilpatrick, John Witthoft. In Series II, see the "Cherokee" section, which contains 3 boxes of research materials, including Lounsbury's field notes with numerous Cherokee speakers in Oklahoma, copies of original notes by other linguists, language instruction materials, and other related documents. The "General Iroquois" section contains some comparative materials as well, as may other sections to smaller degrees. Series VI contains multiple boxes of card files with Cherokee language data in the form of lexicons and texts in translation. In Series VII, there are several audio recordings, including a reading of Private John G. Burnett's eyewitness account of Cherokee removal, 1838-1839, and a significant number of recordings of songs and dances made by Will West Long and Della Owl, and Cherokee lessons by Robert Bushyhead and William Cook.
Collection:Floyd G. Lounsbury Papers (Mss.Ms.Coll.95)
Culture:
Language:English
Date:1936-1967
Contributor:Wallace, Paul A. W. | Congdon, Charles E. (Charles Edwin), 1877- | James, Edward T. | Miller, P. Schuyler (Peter Schuyler), 1912-1974 | Parker, Arthur Caswell, 1881-1955 | Montour, E. T. | Montour, Ethel Brant | Wargon, Allan | Jamieson, M. J. | Chalmers, Harvey, 1890-1971 | Einhorn, Arthur (Skaroniate) | Durston, Harry C. | Akweks, Aren | Freeman, John F. | General, Emily | Gridley, Marion E. (Marion Eleanor), 1906-1974 | Guthe, Alfred K. (Alfred Kidder), 1920-1983 | Dawendine, 1902- | Mad Bear, -1985 | Serres, John | Fenton, William N., (William Nelson), 1908-2005 | Gabor, Robert (Sagotaoala) | Ritchie, William A. (William Augustus), 1903-1995 | Cornplanter, Jesse J. | Ka-Hon-Hes | Cornplanter, Seneca chief, 1732?-1836
Subject:Anthropology | Ethnography | Genealogy | Biography | Wampum | Folklore | Rites and ceremonies | Personal names | Archaeology | Religion | Politics and government | Government relations | Land claims | Indian artists | Art | Monuments | Clothing and dress | Adoption | Kinship | New York (State)--History | Ontario--History
Type:Still Image | Text
Genre:Correspondence | Drawings | Essays | Drafts | Interviews | Stories
Extent:39 items
Description: Materials relating to Paul A. W. Wallace's interest in Haudenosaunee people, history, and culture. Of particular interest will be Wallace's correspondence and interviews with Haudenosaunee individuals. This includes Wallace's extensive correspondence with Ray Fadden (Tehanetorens, Aren Akweks) on subjects such as publications, the Haudenosaunee, the Akwesasne Mohawks, personal matters, etc., as well as a woodcut by John Fadden (Kahionhes) titled "The persecuted Iroquois"; Ray Fadden's "The Visions of Handsome Lake," an interpretation of Ray Fadden's wampum belt (with two drawings by John Fadden); and Ray Fadden's (Aren Akweks, Tehanetorens) "Iroquois Lesson Book-Stories for good children and bad." Interview materials include a "Six Nations Journal", containing notes on interviews with Nick Peters, Chief Joseph Montour, John Napoleon Brinton Hewitt, Isaiah Williams, Chief Hess, Chief William Loft, Alec General, and Jerry Aaron; notes, manuscripts, and interviews with William Dewaseragech Loft relating to the Haudenosaunee and to Wallace's preparation of an entry on Loft for the Dictionary of Canadian Biography; and a transcript of a talk on Haudenosaunee cosmogony and history of relations with white people attributed to the Seneca chief Cornplanter and taken from a document (circa 1822) in the Draper Collection at Princeton University. Other Native correspondents and consultants include Jesse J. Cornplanter regarding the purchase of drawings, along with five of Cornplanter's drawings: "Two Friends," "Mortise," and three untitled; Alexander J. General (Deskaheh) regarding copies of Wallace's White Roots of Peace, the identity of a Mohawk chief, the meaning of some names, and Wallace's trip for the Seventh Annual Pageant at Ohnedagowah; E. T. Montour regarding the Handsome Lake religion; Ethel Brant Montour regarding the Haudenosaunee and the Brant and Montour families; Donald Richmond regarding copying the Seth Newhouse version of Deganawidah sent to the St. Regis Mohawks; Allan Wargon regarding the film "The Longhouse People"; M. J. Jamieson regarding attendance by Wallace at the Condolence to the Dead and the Great Feast for the Dead; Arthur Einhorn (Skaroniate) regarding copies of publications, misinformation about the Iroquois, and plans for building an "Indian village"; Emily General regarding possible genealogical studies of chiefs of the Haudenosaunee, the annual pageant at Ohnedagowah, and vital statistics of Deskaheh (Hi-wyi-iss, Levi General); Bernice Minton Loft Winslow (Dawendine) regarding the Haudenosaunee, the health of her father Chief William Loft (Mohawk), publications, her poetry; Mad Bear regarding a parcel of land in Philadelphia reportedly owned by the and Robert Gabor (Sagotaoala) regarding Gabor's interest in and research on the effects of the adoption complex on the Iroquois Confederacy, his art work for Ray Fadden, circumstances under which the Delawares entered the League, etc. There is also correspondence between Wallace and other non-Native researchers including Charles E. Congdon regarding arrangements for conferences on Iroquoian studies; James T. Edward regarding a biographical sketch of Madam Montour for Notable American Women, 1607-1950; Peter Schuyler Miller regarding the Deganawidah legend; Arthur Caswell Parker regarding the Haudenosaunee and Conrad Weiser; Harvey Chalmers regarding Heckewelder's prejudice against the Haudenosaunee and its effect on Cooper, and prejudice aroused by Cooper's novels; Howard F. Comrie regarding the Iroquois Confederacy as an inspiration for the Constitution and Bill of Rights; Harry C. Durston regarding the date and place of the founding of the Five Nations Confederacy and possible influences of the Haudenosaunee on the United States Constitution; John F. Freeman regarding Ray Fadden and the Akwesasne Mohawk Counsellor Organization and mentioning Seth Newhouse, Bernice Loft, and Edward Ahenakew; Marion E. Gridley regarding The Amerindian: American Indian Review, a picture of Maria Tallchief, and role of the Delawares, Tuscaroras, and Oneidas in the American Revolution; Alfred K. Guthe regarding old photos of Iroquois costumes in the Rochester Museum of Arts and Sciences; John Serres regarding the dedication of an Iroquois monument at Scarboro, Ontario and attempts to preserve Native culture; William N. Fenton regarding the Haudenosaunee, different versions of the Deganawidah legend, meanings of Indian names, archaeological work in the area to be flooded by the Kinzua Dam, political history of the Iroquois, Seth Newhouse, publications, research, fieldwork, etc.; an essay by Fenton on published and manuscript sources relating to the history of political institutions and laws of the Haudenosaunee, particularly with regard to ethnological sources, procedural methods to reach the desired goal, and expected results (published in Proceedings of the American Philosophical Society 93 (1949): pages 233-238); and William A. Ritchie regarding a meeting at the American Philosophical Society, Indian trails in the Delaware Valley, and the probable date of the founding of the Five Nations Confederacy. Finally, there are Wallace's own notes, drafts, essays, etc., including notes for and a draft of "The Iroquois-A Brief Outline of their History" and "Return of Hiawatha," on the reasons for Iroquois ascendancy.
Collection:Paul A. W. Wallace Papers (Mss.Ms.Coll.64b)
Culture:
Seneca includes: Onöndowága
Haudenosaunee includes: Iroquois, Onkwehonwe
Date:1973
Subject:Dance | Folklore | Food | Material culture | Rites and ceremonies | Social life and customs | New York (State)--History | Plants | Sullivan's Campaign of 1779 | Religion
Type:Sound recording
Genre:Interviews | Stories
Extent:11 sound tape reels (29 hr., 41 min.)
Description: Interviews and discussions with the Seneca artist Ernest Smith on his paintings of Seneca customs, stories, ceremonies, crafts, food preparation, and other traditional ways. Smith was a Seneca from the Tonawanda Reservation in New York state. The paintings were done in the 1930s and are presently in the Rochester Museum and Science Center in Rochester, New York. The recordings were made by William N. Fenton and his student, Jeanette Collamer, in 1973 at the museum in Rochester. The paintings are referred to on the recordings by the museum's catalog numbers for the paintings. Some of the paintings do not have assigned titles. Sound quality is fair overall, with severe distortion and prominent background noise on the final tape. Some of the recordings are restricted due to potential cultural sensitivity.
Collection:Interviews concerning the paintings of the Seneca artist Ernest Smith (Mss.Rec.126)
Culture:
Onondaga includes: Onöñda'gega'
Date:1834-1888; 1938-1978
Contributor:Zeisberger, David, 1721-1808 | Lounsbury, Floyd Glenn | Fenton, William N., (William Nelson), 1908-2005 | Barbeau, Marius, 1883-1969 | Skye, Howard | Shea, John Gilmary, 1824-1892 | Richards, Cara Elizabeth, 1927- | Woodbury, Hanni | Einhorn, Arthur (Skaroniate) | Kenohenyo, Nora Carrier | Lukoff, Fred | Thomas, George | Blau, Harold, 1935- | Foster, Michael K.
Subject:Religion | Folklore | Ethnography | Rites and ceremonies | Music
Type:Text | Sound recording
Genre:Vocabularies | Grammars | Notebooks | Dictionaries | Stories | Translations
Description: The Onondaga materials in the Lounsbury collection include a French-Onondaga from 1860 in Series II. There are numerous audio recordings including that of a Condolence Ceremony and the Feast of the White Dog (Guy-wee-oo) in Series VII. (These recordings are restricted due to cultural sensitivity.) The correspondence, in Series I, includes Harold Blau's mention of a recording in Onondaga of part of Handsome Lake's code, William Fenton's work with Howard Sky on the Goldenweiser version of the Great Law of Peace in Onondaga, Michael Foster's description of collecting versions of the Thanksgiving Address in Onondaga, Cara Richards on Onondaga recordings.
Collection:Floyd G. Lounsbury Papers (Mss.Ms.Coll.95)
Date:1950-1995
Contributor:Lounsbury, Floyd Glenn | Chafe, Wallace L. | Abler, Thomas S., (Thomas Struthers), 1941-2019 | Barbeau, Marius, 1883-1969 | Fenton, William N., (William Nelson), 1908-2005 | Michelson, Karin | Pirie, M. C. | Swadesh, Morris, 1909-1967 | Cooper, Leroy | Gillespie, John W. | Young, Norman | Curry, Ed | Dowdy, Herb | Jones, Albert
Subject:Folklore | Ethnography | Linguistics | Archaeology | Art | Psychology | Kinship | Cosmology | Rites and ceremonies | Music
Type:Text | Sound recording
Genre:Vocabularies | Notes | Notebooks | Grammars | Dictionaries | Newspaper clippings | Vocabularies | Songs | Stories
Description: The Seneca materials in the Lounsbury Papers include his extensive work on kinship. Linguistic materials in Series II include work done by Karin Michelson, Morris Swadesh, and Wallace Chafe. Recordings in Series VII include songs from the Cold Spring Longhouse on the Allegany Indian reservation (NY). There are a large number of unidentified songs.
Collection:Floyd G. Lounsbury Papers (Mss.Ms.Coll.95)
Culture:
Seneca includes: Onöndowága
Haudenosaunee includes: Iroquois, Onkwehonwe
Date:1921-1949
Contributor:Speck, Frank G. (Frank Gouldsmith), 1881-1950 | Congdon, Charles E. (Charles Edwin), 1877- | Deardorff, Merle H., 1890-1971 | Fenton, William N., (William Nelson), 1908-2005 | Isserman, Ferdinand M. (Ferdinand Myron), 1898-1972 | Luongo, James M. | Redeye, Clara | Clark, Evangeline | William, Spencer F. | White, Clayton | Cornplanter, Jesse J. | Redeye, Sherman
Subject:Anthropology | Ethnography | Linguistics | Social life and customs | Funeral rites and ceremonies | Dance | Rites and ceremonies | Religion | Masks | Medicine | Place names | Folklore | Oklahoma--History | Specimens
Type:Still Image | Text
Genre:Correspondence | Essays | Notes | Field notes | Charts | Photographs
Extent:16 folders
Description: Materials relating to Speck's interest in Seneca language, history, and culture. Several folders contain correspondence, including one with six letters from Jesse Cornplanter to Speck and others on topics such as his religious beliefs and changes in the way of life; praising Speck; pay for Native consultants; sending Christmas greetings; and husk faces. Other correspondence includes letters from Charles E. Congdon concerning Coldspring Longhouse ceremonies, use of stick and post in dance, Tonawanda and Cattaraugus medicines, congratulating Speck on his Iroquois (1945), describing Alleghany ceremonials, and giving a sketch of the arrangement of participants; from James M. Luongo concerning Seneca and other specimens; from Clara Redeye transmitting a 1941 picture of four generations and sending dolls; from Spencer F. William, a Seneca writer seeking work; from Evangeline Clark sending thanks for reprints, which she had sent to Suffolk University; from Merle H. Deardorff concerning consultant Clayton White, Pennsylvania place names, Speck (1942), and a lengthy discussion of the practices of Handsome Lake adherents; and from Speck to Deardorff concerning an Iroquois conference at Allegany. Other folders contain William N. Fenton's Seneca ceremonial calendar from Coldspring, 131 pages of organized, detailed field notes on ceremonies; Congdon's 4-page essay comparing the religion of Handsome Lake with Judaism and Greco-Roman spirits; Clayton White's description of the one-year death feast; Clayton White's description of a False Face Dance at Coldspring Long House, taken for Deardorff; Speck's miscellaneous notes containing words and two letters from Sherman Redeye to Speck concerning corn-husk masks; Speck's notes on the Oklahoma Seneca with an outline of ceremonials and a chart, with special attention to dances and funerary practices; and Ferdinand Isserman's student paper "Mythology of Seneca Indians." Some of these materials may be restricted due to cultural sensitivity.
Collection:Frank G. Speck Papers (Mss.Ms.Coll.126)
Culture:
Seneca includes: Onöndowága
Haudenosaunee includes: Iroquois, Onkwehonwe
Cayuga includes: Gayogohó:no
Language:English
Date:1798; 1940-1980
Contributor:Snyderman, George S., 1908-2000 | Pierce, John, 1745?-1808 | Sharples, Joshua, 1747-1826 | Harris, Helen | Akweks, Aren | Fenton, William N., (William Nelson), 1908-2005 | Deardorff, Merle H., 1890-1971
Subject:Wampum | Folklore | Medicine | Witchcraft | Rites and ceremonies | Religion | Dance | Oklahoma--History | Pennsylvania--History
Type:Still Image | Text
Genre:Notes | Reports | Photographs | Stories
Description: The Seneca materials in the Snyderman Papers include information about the Kinzua Dam in Series III (the construction of which displaced 600 Seneca from the lands along the Allegheny River). A report on the Seneca-Cayuga Tribe of Oklahoma is in Series IV. The photographs in Series V include images of Longhouses in Allegany and Cold Springs as well as images of Seneca people with whom Synderman worked including Clara and Sherman Redeye, Henry Redeye, with over one hundred black and white silver gelatin prints, postcards, and color Polaroid of the Allegany Senecas and St. Lawrence Mohawks of New York, taken by William N. Fenton, Frank Speck, and Snyderman. See also the entry in this guide for general "Haudenosaunee materials, George S. Snyderman Papers".
Collection:George S. Snyderman Papers (Mss.Ms.Coll.51)