Click filter to remove
Displaying 1 - 3 of 3
Culture:
Language:English
Date:1936-1967
Contributor:Wallace, Paul A. W. | Congdon, Charles E. (Charles Edwin), 1877- | James, Edward T. | Miller, P. Schuyler (Peter Schuyler), 1912-1974 | Parker, Arthur Caswell, 1881-1955 | Montour, E. T. | Montour, Ethel Brant | Wargon, Allan | Jamieson, M. J. | Chalmers, Harvey, 1890-1971 | Einhorn, Arthur (Skaroniate) | Durston, Harry C. | Akweks, Aren | Freeman, John F. | General, Emily | Gridley, Marion E. (Marion Eleanor), 1906-1974 | Guthe, Alfred K. (Alfred Kidder), 1920-1983 | Dawendine, 1902- | Mad Bear, -1985 | Serres, John | Fenton, William N., (William Nelson), 1908-2005 | Gabor, Robert (Sagotaoala) | Ritchie, William A. (William Augustus), 1903-1995 | Cornplanter, Jesse J. | Ka-Hon-Hes | Cornplanter, Seneca chief, 1732?-1836
Subject:Anthropology | Ethnography | Genealogy | Biography | Wampum | Folklore | Rites and ceremonies | Personal names | Archaeology | Religion | Politics and government | Government relations | Land claims | Indian artists | Art | Monuments | Clothing and dress | Adoption | Kinship | New York (State)--History | Ontario--History
Type:Still Image | Text
Genre:Correspondence | Drawings | Essays | Drafts | Interviews | Stories
Extent:39 items
Description: Materials relating to Paul A. W. Wallace's interest in Haudenosaunee people, history, and culture. Of particular interest will be Wallace's correspondence and interviews with Haudenosaunee individuals. This includes Wallace's extensive correspondence with Ray Fadden (Tehanetorens, Aren Akweks) on subjects such as publications, the Haudenosaunee, the Akwesasne Mohawks, personal matters, etc., as well as a woodcut by John Fadden (Kahionhes) titled "The persecuted Iroquois"; Ray Fadden's "The Visions of Handsome Lake," an interpretation of Ray Fadden's wampum belt (with two drawings by John Fadden); and Ray Fadden's (Aren Akweks, Tehanetorens) "Iroquois Lesson Book-Stories for good children and bad." Interview materials include a "Six Nations Journal", containing notes on interviews with Nick Peters, Chief Joseph Montour, John Napoleon Brinton Hewitt, Isaiah Williams, Chief Hess, Chief William Loft, Alec General, and Jerry Aaron; notes, manuscripts, and interviews with William Dewaseragech Loft relating to the Haudenosaunee and to Wallace's preparation of an entry on Loft for the Dictionary of Canadian Biography; and a transcript of a talk on Haudenosaunee cosmogony and history of relations with white people attributed to the Seneca chief Cornplanter and taken from a document (circa 1822) in the Draper Collection at Princeton University. Other Native correspondents and consultants include Jesse J. Cornplanter regarding the purchase of drawings, along with five of Cornplanter's drawings: "Two Friends," "Mortise," and three untitled; Alexander J. General (Deskaheh) regarding copies of Wallace's White Roots of Peace, the identity of a Mohawk chief, the meaning of some names, and Wallace's trip for the Seventh Annual Pageant at Ohnedagowah; E. T. Montour regarding the Handsome Lake religion; Ethel Brant Montour regarding the Haudenosaunee and the Brant and Montour families; Donald Richmond regarding copying the Seth Newhouse version of Deganawidah sent to the St. Regis Mohawks; Allan Wargon regarding the film "The Longhouse People"; M. J. Jamieson regarding attendance by Wallace at the Condolence to the Dead and the Great Feast for the Dead; Arthur Einhorn (Skaroniate) regarding copies of publications, misinformation about the Iroquois, and plans for building an "Indian village"; Emily General regarding possible genealogical studies of chiefs of the Haudenosaunee, the annual pageant at Ohnedagowah, and vital statistics of Deskaheh (Hi-wyi-iss, Levi General); Bernice Minton Loft Winslow (Dawendine) regarding the Haudenosaunee, the health of her father Chief William Loft (Mohawk), publications, her poetry; Mad Bear regarding a parcel of land in Philadelphia reportedly owned by the and Robert Gabor (Sagotaoala) regarding Gabor's interest in and research on the effects of the adoption complex on the Iroquois Confederacy, his art work for Ray Fadden, circumstances under which the Delawares entered the League, etc. There is also correspondence between Wallace and other non-Native researchers including Charles E. Congdon regarding arrangements for conferences on Iroquoian studies; James T. Edward regarding a biographical sketch of Madam Montour for Notable American Women, 1607-1950; Peter Schuyler Miller regarding the Deganawidah legend; Arthur Caswell Parker regarding the Haudenosaunee and Conrad Weiser; Harvey Chalmers regarding Heckewelder's prejudice against the Haudenosaunee and its effect on Cooper, and prejudice aroused by Cooper's novels; Howard F. Comrie regarding the Iroquois Confederacy as an inspiration for the Constitution and Bill of Rights; Harry C. Durston regarding the date and place of the founding of the Five Nations Confederacy and possible influences of the Haudenosaunee on the United States Constitution; John F. Freeman regarding Ray Fadden and the Akwesasne Mohawk Counsellor Organization and mentioning Seth Newhouse, Bernice Loft, and Edward Ahenakew; Marion E. Gridley regarding The Amerindian: American Indian Review, a picture of Maria Tallchief, and role of the Delawares, Tuscaroras, and Oneidas in the American Revolution; Alfred K. Guthe regarding old photos of Iroquois costumes in the Rochester Museum of Arts and Sciences; John Serres regarding the dedication of an Iroquois monument at Scarboro, Ontario and attempts to preserve Native culture; William N. Fenton regarding the Haudenosaunee, different versions of the Deganawidah legend, meanings of Indian names, archaeological work in the area to be flooded by the Kinzua Dam, political history of the Iroquois, Seth Newhouse, publications, research, fieldwork, etc.; an essay by Fenton on published and manuscript sources relating to the history of political institutions and laws of the Haudenosaunee, particularly with regard to ethnological sources, procedural methods to reach the desired goal, and expected results (published in Proceedings of the American Philosophical Society 93 (1949): pages 233-238); and William A. Ritchie regarding a meeting at the American Philosophical Society, Indian trails in the Delaware Valley, and the probable date of the founding of the Five Nations Confederacy. Finally, there are Wallace's own notes, drafts, essays, etc., including notes for and a draft of "The Iroquois-A Brief Outline of their History" and "Return of Hiawatha," on the reasons for Iroquois ascendancy.
Collection:Paul A. W. Wallace Papers (Mss.Ms.Coll.64b)
Culture:
Ho-Chunk includes: Winnebago, Hoocąk
Date:1908-1930 and undated
Contributor:Radin, Paul, 1883-1959 | Blowsnake, Sam
Subject:Linguistics | Siouan languages | Anthropology | Medicine | Religion | Social life and customs | Folklore | Dance | Funeral rites and ceremonies | Warfare | Personal names | Clans | Rites and ceremonies | Peyote | Origin | Wisconsin--History
Type:Text
Genre:Field notes | Notebooks | Notes | Drafts | Essays | Stories | Dictionaries | Autobiographies | Speeches
Extent:49 items
Description: Materials relating to Radin's study of Ho-Chunk (Winnebago) history, culture, and language. Some items are written in Ho-Chunk, with and without English translations. This large collection includes 34 original field notebooks; numerous short and long stories (Hare cycle, Aleck Linetree [probably Alec Lone Tree], the origin of the Buffalo clan, the story of the holy one, the boy who wished to be immortal, etc.); several longer pieces, such as a typed manuscript titled "The legend of Mother-of-all-the-Earth," speeches of Charlie Houghton, multiple versions of "How Blowsnake joined the medicine dance," "Origin myth of the medicine dance," etc.; several published secondary sources; over 3,000 slips for an English-Winnebago [i.e. Ho-Chunk] dictionary and other items relating to Ho-Chunk phonetics, lexicon, linguistics, etc.; several phonetic texts, some with English translation; and a variety of other items with ethnographic, historical, and linguistic data pertaining to ceremonies, tales, clans, medicine, origins, dance, burial, peyote, names, and sweat-baths. Individuals mentioned (some as ) include: Jacob Russell, Charlie Houghton, Oliver LaMere, Sam Blowsnake, John Rave, Thomas Clay, Robert Lincoln, James Smith, Tom Big Bear, and George Ricehill.
Collection:Paul Radin papers (Mss.497.3.R114)
Culture:
Ojibwe includes: Ojibwa, Chippewa, Ojibway
Odawa includes: Ottawa
Anishinaabe includes: Anishinaabeg, Anishinabe, Nishnaabe, Anishinabek
Date:1926 and undated
Contributor:Radin, Paul, 1883-1959 | Shomin, Joe | Miskwanda | Pontiac, Jim
Subject:Michigan--History | Medicine | Religion | Social life and customs | Folklore | Warfare | Funeral rites and ceremonies | Personal names | Rites and ceremonies
Type:Still Image | Text
Genre:Essays | Outlines | Sketches | Photographs | Notes | Personal names | Drafts
Description: Materials relating to Radin's study of Odawa culture and history, with some Ojibwe material as well. Several items are headed "Ojibwa-Ottawa notes," though it is unclear from the descriptions provided what might be Odawa and what might be Ojibwe. Topics include Midewewin, religion, war and warfare, medicine and magic, death and burial, life cycle, games, ceremonialism, social organization, disease, dreams, and material culture. Items include a Nanabojo text concerning White Feather; ethnographic notes from published sources; 23 pages of male and female names; photographs (1926) with explanatory notes; typed slips and field notes on slips, most of them later transcribed for typed slips; and a 1-page letter signed Ake Sulkrantz and dated Stockholm, December 2, 1950. Two items are of particular note: 1) an unfinished manuscript relating 20 dreams of Miskwanda and 10 of Jim Pontiac, together with analysis. Chapters on legend and fact in the history of L'Arbre Croche and an ethnohistoric account based on the Jesuit Relations. Not included is a proposed account of "The culture of L'Arbre Croche as illustrated by Miskwanda's drawings." Interesting narrative of Radin's field work and methods and 2) 154 original drawings by Miskwanda--traced, arranged and commented on by Radin--intended to illustrate culture of L'Arbre Croche.
Collection:Paul Radin papers (Mss.497.3.R114)