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Culture:
Language:English
Date:1940
Contributor:Gabor, Robert (Sagotaoala) | Fadden, Ray
Subject:New York (State)--History | Religion | Social life and customs | Hunting | Warfare | Diplomacy | Material culture | Education | Government relations | Medicine | Politics and government | Rites and ceremonies | Wampum
Type:Still Image | Text
Extent:16 panels (oversized)
Description: Designer and author Ray Fadden (Aren Akweks, Tehanetorens) was a member of the Wolf Clan of the Mohawk community of Akwesasne and founder of the Six Nations Indian Museum of Onchiota, New York. As an educator, Fadden created “educational charts” to convey elements of Haudenosaunee history and culture to audiences. Early on, he enlisted the help of his son, John Fadden. Later, others were brought in to create other charts. This particular chart or poster is signed by Sagotaoala (Bob Gabor). It is comprised of four parts (photocopies of the original). Seen as a whole, the central feature of the poster is a map of Haudenosaunee territory in present-day New York State, showing the relative locations of the six nations of the Iroquois League (Haudenosaunee: Seneca, Cayuga, Onondaga, Oneida, Mohawk, and Tuscarora) and overlaid with drawings relating to Haudenosaunee history and culture. This central image is ringed with many more sketches, and around the edges the chart is bordered wtih different wampum belt designs. The sketches range from small and simple to fairly large and elaborate, and feature important people, events, places, material culture items, etc. from Haudenosaunee history and culture. This includes drawings of people like Hiawatha, Joseph Brant, Mary Jemison, etc.; material culture items like a water drum, body armor, pottery, etc.; scenes from daily life such as hunting, playing lacrosse, and a medicine man harvesting tobacco, etc.; more specific events like councils, warfare, a Dutch massacre of Delaware neighbors, and the arrival of the Tuscarora; and more recent happenings like Akwesasne Club Members on an outing and the role of Indian steel-workers in the construction of the "Rainbow Bridge" acress the Niagara River. Along with the 4-panel complete educational poster, there are 2 panels with miscellanous drawings along the edges, less polished and less specific than in the completed version, and 2 panels that together comprise a map of New York State and environs, and have the same kinds of drawings as the other two posters (albeit less polished than the 4-panel poster but more polished than in the other 2-panel item). Included in this folder are negatives of each of the 8 panels described.
Collection:Iroquois past and present in the state of New York, presented by the Akwesasne Mohawk counselor organization (Mss.970.3.F12i)
Culture:
Seneca includes: Onöndowága
Haudenosaunee includes: Iroquois, Onkwehonwe
Date:Bulk 1930s-1990s
Contributor:Abrams, George H. J. | Carpenter, Edmund, 1922-2011 | Cornplanter, Jesse J. | Fenton, William N., (William Nelson), 1908-2005 | Gibson, Simeon | Hauptman, Laurence M. | Heron, George D. | Jimerson, Dan M. | Lamb, Gerald | Lazarus, Arthur, Jr. | Ledsome, Thelma | Preston, Jack | Printup, Maribel | Printup, Wayne | Redeye, Clara | Redeye, Sherman | Seneca, Cornelius B. | Seneca, Martin | Seneca, Pauline | Seneca Nation of Indians | Seneca-Iroquois National Museum | Sonosky, Marvin J. | Tooker, Elisabeth, 1927-2004 | Waters, Somerset R. | Wheeler-Voegelin, Erminie, 1903-1988 | Johnny John, Chauncey
Subject:Botany | Kinship | Material culture | Medicine | Museums | New York (State)--History | Ontario--History | Place names | Politics and government | Rites and ceremonies | Social life and customs | Wampum | Music
Type:Text | Still Image | Sound recording
Genre:Correspondence | Essays | Field notes | Genealogies | Maps | Speeches | Songs
Extent:15+ linear feet
Description: Seneca materials make up the majority of the Fenton papers and can be found throughout all sections of the collection. Series I contains correspondence with numerous people on Seneca matters. Noteworthy Seneca correspondents include Simeon Gibson, Clara Redeye, Sherman Redeye, and other individuals such as those listed above. The largest body of material is in Series V, which includes Fenton's notebooks and other documentation from field work at Allegany, Cattaraugus, Tonawanda, and Grand River, beginning in the 1930s through late in his career. This section also includes extensive card files on "Materia Medica" or ethnobotanical information, and Seneca place names. Series VI consists of over 1000 photographs, the majority of which are from Seneca communities in the 1930s-1950s. Series VII contains one audio recording of Seneca songs. Series VIII includes additional field notes and other materials derived mainly from his 1930s fieldwork. Significant portions of these materials may be restricted due to cultural sensitivity, as Fenton's materials frequently pertain to areas of sacred traditional knowledge.
Collection:William N. Fenton papers (Mss.Ms.Coll.20)